Morally, spiritually, and physically, London is a wilderness. She establishes her own home in a bombed out church, which in turn forms part of a ruined but astonishingly beautiful city, where wild flowers grow unchecked amidst the devastation. Observing the thriving subculture of thieves, spivs, black marketeers, deserters, and lowlife criminals, she assumes they are all fellow resisters and guerrillas, deserving her respect and assistance. However well intentioned they may seem, she thinks, all (British) authority figures are de facto occupation forces, and it is quite acceptable to steal or lie to survive. Aged seventeen, she is brought to a heavily bombed and ruined London, which she interprets according to her wartime knowledge. Her experiences in active resistance and sabotage campaigns have made her thoroughly familiar with the dilemmas of collaboration, collusion, co-optation, and betrayal. Barbary Deniston is raised in southern France during the Second World War, which teaches her life lessons about the evils of authority, and the need to resist them at all costs. You can read the plot summary easily enough, but here is a lightning version. The word “radical” seems barely adequate for such a picture. Barbary is beyond a mere outsider or loner: she is living more as an anarchist or bandit, in a state of constant resistance against conformity and propriety. Viewing the world through her eyes – specifically the world of immediately post-WWII England – we see that society as utterly strange, hostile, and threatening. In her 1950 book The World My Wilderness, Macaulay offered another young female character in Barbary Deniston, who is so far at odds with her surroundings and family that she is close to feral. The clash with her relatives drives her to a kind of damnation, where she is forced to accept their bizarre ways – a round peg brutally hammered into a square hole. She does not know and cannot learn social rules and niceties, and always prefers solitude over company of any kind, and the social whirl of other proper young ladies. Crewe Train concerned what we might call a radical nonconformist, a young woman absolutely incapable of living up to the expectations she faces about her class and her gender.
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